From New York Times bestselling author Alafair Burke, a stunning domestic thriller in the vein of Behind Closed Doors and The Woman in Cabin 10—in which a woman must make the impossible choice between defending her husband and saving herself.
When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.
Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their perfect life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look—at both the man she married and the women she chose not to believe.
This much-anticipated follow-up to Burke’s Edgar-nominated The Ex asks how far a wife will go to protect the man she loves: Will she stand by his side, even if he drags her down with him?
There’s no spilled blood, no evidence of a struggle, and, thanks to the victim’s missing face and hands, no immediate means of identification. And no telling why the disfigured corpse of a stranger has appeared in an upscale L.A. family’s home. Chet Corvin, his wife, and their two teenage children are certain the John Doe is unknown to them. Despite that, their cooperation seems guarded. And that’s more than Milo and Alex can elicit from the Corvins’ creepy next-door neighbor—a notorious cartoonist with a warped sense of humor and a seriously antisocial attitude.
As the investigation ensues, it becomes clear that this well-to-do suburban enclave has its share of curious eyes, suspicious minds, and loose lips. And as Milo tightens the screws on potential persons of interest—and Alex tries to breach the barriers that guard their deepest secrets—a strangling web of corrupted love, cold-blooded greed, and shattered trust is exposed. Though the grass may be greener on these privileged streets, there’s enough dirt below the surface to bury a multitude of sins. Including the deadliest.
As the blood of martyred Christians runs through Rome's catacombs, Pope Sixtus entrusts their most sacred object to a devoted follower. Soon after, the Holy Grail disappears into the darkness of time.
While overseeing the evacuation of the English colony of Tangier, Samuel Pepys attempts to retrieve a treasure which has resurfaced after more than a thousand years. Meanwhile, a Jewish merchant is tortured by the Altamanus, a secret group determined to locate the Grail.
A wreck off the Cornish coast reveals clues to a mystery that marine archaeologist Jack Howard had thought beyond solving. He embarks on an epic quest that takes him to the sunken ruins of the pirate city of Port Royal in Jamaica. But the specter of the deadly Inquisition dogs his every step, and Jack must face a descent into hell itself if he is to uncover the greatest reward in Christendom.
Gibbins, who has led numerous underwater archeology expeditions around the world, writes with an authority that makes “the astounding seem more than plausible” (Parmenion Books). This latest Jack Howard novel brings together historical details and a thrilling plot for an action-packed adventure.
A noise downstairs
Is Paul losing his mind? Maybe. Or is something really there? Eight months ago, he stumbled upon Connecticut's infamous "Apology Killer"--a psychopath who forced his victims to typewrite personal apologies to him before he cut their throats--disposing of two mutilated bodies on Milford's Post Road. Most shocking of all, the killer was his colleague, someone he thought he knew. Paul's been seeing a therapist for months to recover from the nearly fatal encounter, but his nerves and short-term memory have suffered since the traumatic event.
There's only one way to learn if the noises are real or a figment of his hyper-imagination. One night, Paul rolls a sheet of paper into the machine. The next morning, when he checks the page, there is a chilling message:
"We typed our apologies like he asked but he killed us anyway."
As he desperately searches to find a rational explanation for the note and the noises, Paul slowly begins to consider the unthinkable: The message is authentic, and the women butchered by his colleague are reaching out to him from beyond the grave.
One out-of-work British actress pays the rent on her New York City apartment the only way she can: as a decoy for a detective agency, hired to entrap straying husbands. When the cops begin investigating one of her targets for murdering his wife--and potentially others--they ask her to lure the suspect into a confession.
But with the actress pretending to be someone she isn't, differentiating the decoy from the prey becomes impossible--and deadly.