Rantz H. 2A
Laws & Ethics
- Be accurate and comprehensive in the representation of subjects.
- Resist being manipulated by staged photo opportunities.
- Do not pay sources or subjects or reward them materially for information or participation.
Exit Ahead. The Pegasus is ready to leave school. it climbed on top of the sign for a better look of the exit. "I'm so ready to leave."- Pegasus
Freedom is beyond the glass.The Pegasus looks outside to see it's goal. Just two sets of doors to go and I'm out of this place."- Pegasus
So close. The Pegasus is almost out the doors and on it's way home. The Pegasus climbs up to the handle to push it open. "I'm so close to leaving this building." -Pegasus
A breath of fresh air. The wind blows steadily as the Pegasus make it's way outside. It's about to get into a car and leave. "i'm finally outside and all that's left is to drive home." -Pegasus."
Would you look at that. The Pegasus sees it's opportunity with the open car. The car door is open, just in time for the Pegasus to escape. "Well someone made my exit a whole lot easier." -Pegasus
History of Photography
Prior to Niepce people just used the camera obscura for viewing or drawing purposes not for making photographs. Joseph Nicephore Niepce's heliographs or sun prints as they were called were the prototype for the modern photograph, by letting light draw the picture.
Niepce placed an engraving onto a metal plate coated in bitumen, and then exposed it to light. The shadowy areas of the engraving blocked light, but the whiter areas permitted light to react with the chemicals on the plate. When Niepce placed the metal plate in a solvent, gradually an image, until then invisible, appeared. However, Niepce's photograph required eight hours of light exposure to create and after appearing would soon fade away." (inventors.about.com)
"In the early 1940s, commercially viable color films (except Kodachrome, introduced in 1935) were brought to the market. These films used the modern technology of dye-coupled colors in which a chemical process connects the three dye layers together to create an apparent color image." (inventors.about.com)
"In 1984, Canon demonstrated first digital electronic still camera." (Inventors.about.com)
She was hired by Henry Luce as the first female photojournalist for Life magazine in 1936. Her photograph of the Fort Peck Dam construction appeared on its first cover on November 23, 1936. She held the title of staff photographer until 1940, but returned from 1941 to 1942, and again in 1945, where she stayed through her semi-retirement in 1957 (which ended her photography for the magazine) and her full retirement in 1969.
Her photographs of the construction of the Fort Peck Dam were featured in Life's first issue, dated November 23, 1936, including the cover. This cover photograph became such a favorite that it was the 1930s' representative in the United States Postal Service's Celebrate the Century series of commemorative postage stamps. "Although Bourke-White titled the photo, New Deal, Montana: Fort Peck Dam, it is actually a photo of the spillway located three miles east of the dam," according to a United States Army Core of Engineers. web page.
During the mid-1930s, Bourke-White, like Dorothea Lange, photographed drought victims of the Dust Bowl. In the February 15, 1937 issue of Life magazine, her famous photograph of black flood victims standing in-front of a sign which declared, "World's Highest Standard of Living", showing a white family, was published. The photograph later would become the basis for the artwork of Curtis Mayfield's 1975 album, There's No Place Like America Today.
Bourke-White and novelist Erskine Caldwell were married from 1939 to their divorce in 1942, and they collaborated on You Have Seen Their Faces (1937), a book about conditions in the South during the Great Depression.
She also traveled to Europe to record how Germany, Austria, and Czechoslovakia were faring under Nazism and how Russia was faring under Communism. While in Russia, she photographed a rare occurrence, Joseph Stalin with a smile, as well as portraits of Stalin's mother and great-aunt when visiting Georgia." (wikipedia)