Rhetorical Triangle Challenge by Kara Hallam
Identify the components of the Rhetorical triangle for this excerpt
PORTIA. Brutus, my lord!
BRUTUS. Portia, what mean you? Wherefore rise you now?
It is not for your health thus to commit
Your weak condition to the raw cold morning.
PORTIA. Nor for yours neither. have ungently, Brutus,
Stole from my bed; and yesternight at supper
You suddenly arose and walk'd about,
Musing and sighing, with your arms across;
And when I ask'd you what the matter was,
You stared upon me with ungentle looks.
I urged you further; then you scratch'd your head,
And too impatiently stamp'd with your foot.
Yet I insisted, yet you answer'd not,
But with an angry waiter of your hand
Gave sign for me to leave you. So I did,
Fearing to strengthen that impatience
Which seem'd too much enkindled, and withal
Hoping it was but an effect of humor,
Which sometime hath his hour with every man.
It will not let you eat, nor talk, nor sleep,
And, could it work so much upon your shape
As it hath much prevail'd on your condition,
I should not know you, Brutus. Dear my lord,
Make me acquainted with your cause of grief.
BRUTUS. I am not well in health, and that is all.
PORTIA. Brutus is wise, and, were he not in health,
He would embrace the means to come by it.
BRUTUS. Why, so I do. Good Portia, go to bed.
PORTIA. Is Brutus sick, and is it physical
To walk unbraced and suck up the humors
Of the dank morning? What, is Brutus sick,
And will he steal out of his wholesome bed
To dare the vile contagion of the night
And tempt the rheumy and unpurged air
To add unto his sickness? No, my Brutus,
You have some sick offense within your mind,
Which by the right and virtue of my place
I ought to know of; and, upon my knees,
I charm you, by my once commended beauty,
By all your vows of love and that great vow
Which did incorporate and make us one,
That you unfold to me, yourself, your half,
Why you are heavy and what men tonight
Have had resort to you; for here have been
Some six or seven, who did hide their faces
Even from darkness.
BRUTUS. Kneel not, gentle Portia.
PORTIA. I should not need, if you were gentle Brutus.
Within the bond of marriage, tell me, Brutus,
Is it excepted I should know no secrets
That appertain to you? Am I yourself
But, as it were, in sort or limitation,
To keep with you at meals, comfort your bed,
And talk to you sometimes? Dwell I but in the suburbs
Of your good pleasure? If it be no more,
Portia is Brutus' harlot, not his wife.
BRUTUS. You are my true and honorable wife,
As dear to me as are the ruddy drops
That visit my sad heart.
PORTIA. If this were true, then should I know this secret.
I grant I am a woman, but withal
A woman that Lord Brutus took to wife.
I grant I am a woman, but withal
A woman well reputed, Cato's daughter.
Think you I am no stronger than my sex,
Being so father'd and so husbanded?
Tell me your counsels, I will not disclose 'em.
I have made strong proof of my constancy,
Giving myself a voluntary wound
Here in the thigh. Can I bear that with patience
And not my husband's secrets?
BRUTUS. O ye gods,
Render me worthy of this noble wife! Knocking within.
Hark, hark, one knocks. Portia, go in awhile,
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows.
Leave me with haste. [Exit Portia.] Lucius, who's that
How was ethos, pathos, and logos used in the excerpts below?
Hint: pathos appeals to the audiences emotions and feelings
Hint: Logos appeals to the audiences logical sense
Hint: ethos helps the audience see the speaker as trust worthy and credible
Logos: Portia argues that because she is his wife she has every right to know his secret. Given their relationship it only makes sense for her to know what is troubling him.
Ethos: Portia title as Brutus' wife makes her reliable. She is his partner and he should trust her. She also stabs her self in the leg in order to prove how trustworthy she is and the lengths she would go for Brutus.