2018 AJT Conference
Thank You for Attending!
From David Chack, Executive Director, Alliance for Jewish Theatre
As a unique body of theatre artists, we dig deep into the well of heritage, identity, connectivity, and creativity and to produce theatre that overflows with vibrancy and life. And we are not parochial. We tell the stories of identity in order to interconnect with other identities. We continue to believe in the future, not as some dystopian nightmare but as a journey of hope against the darkness. We have seen the worst as a people and the resiliency in us is greater and stronger than anything that can be imagined.
Continue to create, love, and seek righteousness, and do it through what we know and affirm at the highest level – through theatre.
Executive Director of the Alliance for Jewish Theatre
Highlights from Deborah Baer Mozes, Theatre Ariel Artistic Director
First off I think want to thank everyone who came to Philadelphia for the 2018 AJT Conference. We missed those of you who could not attend.
- Being able to host my Jewish theatre-making colleagues from across the US, Canada, and Israel. It was an honor to have you all here.
- The diversity of our theatremakers, ages spanned 18 to 80's, the expanse of Jewish identity from cultural/secular to orthodox, while our vision of what makes Jewish theatre –Jewish, what is a Jewish play we are all committed to exploring the Jewish heritage through our craft.
- The New Play Development panel, the Plays You Should Know About and the Social Justice/Conscious Panel were thoughtful and thought-provoking.
- Sharing the Theatre Ariel Salon approach to presenting and White-Faced Lieutenant with my colleagues meant so very much.
- An eclectic night of excerpts from new plays by Jewish writers, presented by a talented Philadelphia cast!
From Adam Kantor's Keynote to the Alliance for Jewish Theatre
More meaningful today than ever!
Jewish Theatre must keep up with this trend to be contemporary and meaningful today. Jewish Theatre will only survive and thrive if it’s redefined for a new generation, both in its form and content. In Bart Sher’s staging of (Fiddler on the Roof) revival, a man (the same man who plays Tevye), begins the story by entering the stage in contemporary dress, looking at what seems to be the remains of something that once was...
I see myself in that image, as a man who went to Anatevka to find my roots, in an area where my ancestors were killed or displaced. Having traveled the distance, having been in those towns, having felt the energies of the small communities where everyone knows everyone and a town festival (like the one I saw in Pereyaslav) is a celebration of the highest order, I more deeply feel the “ripped-from-the-womb” despair of leaving a sort of Paradise, mixed with the resilience and hope that something better is on the way. I see myself now, more than I ever did before, as a descendant of immigrants. That is what it is to be an American, isn’t it? I am that man in the red coat. As are we all.
I think about our expulsion. We have an obligation, as migrants ourselves, to open up our doors to these stories, to hear them, to listen, and to engage with them meaningfully. And to bring to our theatres not only jews to hear explicitly jewish stories, but human beings, and wider communities to engage with live storytelling because it means something to them.
to Adena and Chaim Potok
"Plays You Should Know"
Adam Immerwahr, Artistic Director of Theater J in Washington, D.C.
“The Perfect Ten” with Jacqueline Goldfinger
Enjoying the banquet
AJT Theatremacher Presentation
Performing Jewish Identity Through Objects
Deborah Yarchun and Toby Klein Greenwald holding a Holocaust surviving megillah