"Streaming services killing music?"
By: The Philadelphia Inquirer, adapted by Newsela staff
Statement: They should not banned streaming services because they don't kill music.
Taylor Swift poses with fans at the premiere of "The Giver" at the Zeigfeld Theater on Aug. 11, 2014, in New York City.
Taylor Swift made news recently by pulling her music off Spotify, the world’s biggest streaming music service. Back in July, Swift was plotting her current pop-music takeover with her album, "1989." In its first week, Swift sold 1.3 million copies of her new album.
Even with the chaos of her album launch, she took time out to write an opinion article for the Wall Street Journal. Widely mocked as young and naive at the time, the 24-year-old songwriter used the national newspaper to share her hopeful view. “The music industry is not dying ... it’s just coming alive,” she wrote.
Swift's "1989" Sales
Swift’s upbeat attitude surely comes from her own position, not to mention her sharp focus
on achieving sales goals through bonding with her fans on social media like Instagram and Twitter.
However, in the Wall Street Journal piece, Swift had important points to make about the business of music.
“Music should not be free,” she insisted. Swift's music has made her quite a bit of money. So far in 2014, she’s made $64 million, according to Forbes magazine. She will make plenty more through download sales on iTunes.
For every dollar fans spend downloading Swift's music, she gets 70 cents. When fans stream her music on Spotify, however, she gets less than a penny per song.
Many in the music industry see streaming as the only hope for growth. People used to have to buy music, first on giant records, then on tapes or CDs. Then with the Internet, people were able to get music for free online, costing musicians a lot of money.
Some streaming apps and sites
Spotify's Tiny Payouts
Still, the tiny Spotify payouts have led to a growing number of major acts to take down some or all of their music from the service, like artists from Beyoncé to the Beatles.
Patrick Carney, from a rock group called the Black Keys, argued against the service. “My whole thing about music is: If somebody’s making money, then the artist should be getting a fair cut of it,” he told the Seattle Times.
Carney said that Spotify's CEO, Daniel Ek, is richer than former Beatle Paul McCartney, even though "he’s 30 and he’s never written a song.”
This week R&B star Aloe Blacc also gave his opinion, writing an anti-streaming piece for Wired magazine. It tweeted out the headline: “I support Taylor Swift — streaming services are killing music.”
In her opinion article last summer, Swift wrote: “Music is art, art is important and rare. Important, rare things are valuable. Valuable things should be paid for.” Swift's idea is noble. It would be easier to live by if the Internet had never happened. Of course, if the Internet had never happened, Swift wouldn’t have 46 million followers.
A Thorny Problem
For smaller bands trying to make money, keeping their music off streaming services is not so easy. These less known bands need to get their music out any way they can. If they’re going to make money, people need to be able to hear them easily.
To stream or not to stream is a thorny problem for fans, too. The streaming model lets the industry own the music you listen to. Rather than letting you own your collection, the music business is moving toward a model similar to on-demand cable TV or Netflix. Every song ever written is (theoretically) available whenever and wherever. The catch is that you, the user, pay each time.
Having millions of songs available and trying to decide what to click on can be a hard choice to make. And it’s not good for the kind of close bonding with a favorite artist that comes when you care about something enough to actually buy it.
That’s one reason live performance has become so important. Bands can make money by putting on concerts, but it also gives fans a chance to make a human connection with the artists they love.
Swift has proved herself an expert at forging those connections. And with her pulling her music off Spotify, she strengthens her bond with her followers. They have to buy her album to prove how much they love her.
By:Kathryn and Sydney