December 2020 issue:

an LA mizpah publication, vol 2 : issue 2

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Celebrate with Lipscomb Academy the imagination & creativity of the dreamer. In this issue: submissions of ART ~ PHOTOGRAPHY ~ WRITING ~ SONGWRITING

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WINTER WONDERLAND by Audrey Gaither, oil on canvas

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ABANDONED SAFETY SHACK, CO by Bella Ravella, photography

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BARN OWL by Jolene Del Rey, pencil and paper

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BROKEN EGG by Ava Sloan, photography

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LUNGS by Jenny Byun, pencil on paper

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ACORN HAT by Elly Kate Smith, photography

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FALLING by Abby Whitman, original song

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SHIPS AHOY by Abbie Broadway, digital art

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WATER AT SUNSET by Ella Thompson, photography

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SPOTTED SUNSET by Audrey Gaither, oil on canvas

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A DAY'S WORK by Bella Ravella, photography

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GEOMETRIC DESERT LANDSCAPE by Jaden Cunningham, pencil on paper

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TEXTURES AND REFLECTIONS by Presley Vassar, photography (click for larger view)

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LAVA LAMP by Abbie Broadway, digital art

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LOOKING GLASS by Elly Kate Smith, photography

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Groundwork

What’s most begrudgingly admitted

about this thing we call COVID

is the way it did
exactly what needed to be done.

It pulled the weeds out by the roots—

yanked ‘em right out,
offering no time
to gently brush some dirt away

before harsh hands

and veiled gardeners
reached down, down,
into once still soil
and started tearing things up.

Perhaps for the better.


You see, I think I’m glad
that some of the weeds are gone.

I feel lighter, freer.

But that’s not to say that
in the garden-clearing process,

some flowers have not too,

been crushed.


Prettily planted
and neatly organized

raised beds of dreams,

and expectations,
and plans--
all scarily stomped on.


Haven’t each of us felt that in some way?

The crushing.


People says it’s seasonal,

that the stomping
and the weed-pulling

will cease come spring.

New life will sprout up,

masks will come off,
the sun will set a little later,

and smiles will be
a bit brighter.


I don’t know
that I fully believe

that narrative, though.

Will there not be another weed-pulling,

and another,
and another?
Is 2020
the beginning
and end
of every communal woe?


Surely not.
But is there an unseen hope

in that conclusion, too?

Absolutely yes.
Because the truth is,
weeds are torn
from earth and dirt
a little easier
in the summer months.

After regrowth
and practice,
and pulling thorns up
in the heat of day,
the backyard feels like

familiar terrain once more.

The yanking becomes

a little more bearable
when our hands are gloved,

our hearts expectant.


Won’t that be the same
with this strange space we’re in?

The yanking will, indeed,

become more bearable
as we prepare for all that’s ahead.

And perhaps, more of the garden

will flourish as our limbs
finally become knowledgeable
of the beauty underneath,

navigating what’s good
and what needs to go.


by

Bella Ravella

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I'D RATHER BE SWIMMING by Jenny Byun, watercolor on paper

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ELEPHANT by Reid Watson, pencil on paper

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PANDEMIC by Bella Ravella, photography

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Inside for Many Months

Half of my brain is knocked out and the kitchen is freshly painted.

My boots are far too squeaky and

All I listen to is

“I am, I am, I am.”

I can only last two hours of living until

My brain is screaming and

I must shut down

Until further maintenance.

My friend the plague doctor will

Pose for me at the holiest of hours

As I think of another

Way to burn, a stronger flame

To cauterize my left side. I pry

At clavicles and

The boars tusks until

I am feeling complete

Enough, until

The concoction of a churned up

Breakfast sandwich and

Guitar strings is

Ready to become part of me.

by

Cassie Nicotera

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DRAGON PUPPET by Abbie Broadway, made with 100% found and repurposed materials (click for larger view)

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ABSTRACT FACE ILLUSTRATION by Sunny Richesson, marker on paper

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ASHES TO ASHES, DUST TO DUST by Chase Kirk, digital drawing

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COLORED SELF PORTRAIT by Mary Jane Estes, colored pencil

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CHOCOLATE ICE CREAM GIRL by Mary Evelyn Thornton, pencil and paper

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DARTH MAUL by Chase Kirk, oil on canvas

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FOOD FOR FEASTING by Mary Jane Estes, pencil on paper

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PORTRAIT by Chase Kirk, pencil on paper

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TRIPTYCHS IN CLOSE UP by Michael Vance, photography (click for larger view)

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WICKER PARK by Bella Ravella, photography

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THE FLAG by Bethany Pupel, photography

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ORNAMENTS ON THE TREE by Ava Sloan, photography

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Spotlight

The 2D Design class designed original digital Radial Designs. Using the designs, the students created functional pieces of art in the iWonder lab out of wood and leather utilizing the laser cutter and CNC router with guidance from Mr. McConnell.

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Coaster by Ava Hollingsworth, digital drawing burned on wood with a laser cutter

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Abstract Design by Devon Burroughs, digital drawing cut out with CNC router

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Landscape Coaster by Mary Evelyn Thornton, digital drawing burned on wood with a laser cutter

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Bookmark by Haley Luffman, digital drawing burned on leather with a laser cutter

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curated by the Lipscomb Academy yearbook mizpah staff

student editors in chief : Abigail McQueen and Isabelle Schrader

faculty advisor : Erin Rickelton


Lipscomb Academy

https://www.lipscomb.edu/academy