Watercolor Landscapes
Mixing Colors Found in Nature & Trying New Brush Techniques
Watercolor paint is transparent, flowing, and even controllable with the right tools!
BRUSHES- ALL KINDS!
Watercolor Brushes? Everything You Need to Know. (Beginner's Series EP. #03)
The Difference Between Wet and Dry Brush Techniques
Paint a Tree!
Geoff Kersey Watercolour Technique ⎮Summer and Autumn Trees⎮Watercolour Landscape
Leaving White Paper to Imply Clouds
How To Paint Clouds in Watercolor for Beginners - Step by Step Tutorial
Painting From the BACKGROUND FIRST and then to the Foreground
Watercolour Painting Landscape Demonstration
See How NATURAL Greens, Browns and Sky Blues are Mixed.
Watercolour Fundamentals - Guidance and Demonstration with Andrew Pitt
PERSONAL CHOICE OF VIDEOS TO WATCH
Go to the link below.
TAKE TIME TO FIND 2 LANDSCAPE Tutorials to observe how the artist mixes paint and which brush to use!
Watercolor Terms
2D 1 Groups-Try at least 3 of these sample techniques.
- wash - applying pre-mixed pigment with a wet brush, to achieve even value color to wet or dry ground.
- damp surface - to get more control but retain softness, wet paper with sponge, let water soak into paper until surface is shiny and no longer dripping wet.
- dry surface - apply brushloads of paint to dry surface for strong color in your wash, precisely where you put it, with well-defined edges.
- graded wash - applying color over a wet or dry ground where a change in value or color or both takes place.
2D 2 Group---Read about these techniques and test five of them in your sketchbook.
- wash - applying pre-mixed pigment with a wet brush, to achieve even value color to wet or dry ground.
- wet surface - there are many degrees of dampness, but an area freshly soaked with clear water will float the pigment and allow it to move freely over the ground; use brush soaked with water and paint.
- damp surface - to get more control but retain softness, wet paper with sponge, let water soak into paper until surface is shiny and no longer dripping wet.
- dry surface - apply brushloads of paint to dry surface for strong color in your wash, precisely where you put it, with well-defined edges.
- graded wash - applying color over a wet or dry ground where a change in value or color or both takes place.
- polychromatic wash - flat or graded wash in more than one color; prepare color puddles before beginning wash technique.
- glazing - applying diluted transparent washes over dry paint.
- wet-into-wet - apply wet paint into wet surface, another color or ground; when paint & surface are both very wet, paint spreads & bleeding occurs.
- wet-over-dry - wet color applied over dry one, will stay where you put it; start with lightest colors, first color will show through the second color.
- pointillism - applying dots of color next to each other for optical color mixing, for example placing red dots next to yellow dotted area to create orange.
- white line technique - paint directly, leaving white lines between positive shapes; beware of backruns (paint bleeds uncontrollably into previously painted area) hard to correct.
- dry brush work - applying stoke of paint quickly with nearly dry brush over dry ground or color, leaves previous color showing through; has characteristic ragged look because pigment hits only the peaks of paper's rough surface; good for grass or weathered wood.
- lifting - to lighten a color or correct a mistake: blot wet paint with clean tissue, or damp sponge; if paint has dried, rewet area with clean water first; to remove color in specific area, use a stiff bristle brush that's slightly damp with clean water; staining pigments won't be lifted completely.
- scraping - while paper is damp not wet, scrape off surface with palette knife or flat brush handle to create sharp or soft liner effects depending on how damp the paper is; use for tree branches, grass, or subtle highlights.
- sgraffito - scratching dry paint to reveal ground/whites; use razor, sand paper.
- straight lines - using straight edge of torn watercolor paper dipped in dark wash puddle; for tree limbs, etc.; continue tearing paper for smaller lines/branches.
- masking - using masking fluid to keep areas white; use old brush as mask ruins ferrule; apply mask to dry ground, allow mask to dry before painting, use clean water.
- wax resist - use white wax candle before painting for mottled effect, rub candle over and over an area so it won't accept paint.
- waterspotting - dropping clean water onto barely damp area of paint.
- spattering - to create texture, spatter paint onto wet or dry ground; use toothbrush, or tap loaded brush against your finger; drops landing on dry surface will keep their hard edges; for softer spots, spatter on damp paper; protect areas where spatters are not wanted.
- salting - sprinkling salt onto wet paint; salt absorbs color while drying.
- soaping - for unique effects, rub paint loaded brush into wet soap bar.
Kelly Little, Author
Email: littlek@leonschools.net
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Twitter: @artykel